BlueBolt
Peter Hanson is an experienced data and rendering professional currently serving as the Data and Rendering Manager at BlueBolt since May 2021, where responsibilities include monitoring the on-site render farm, managing cloud render resources, and ensuring deadlines are met. Prior roles include Render Wrangler at LIPSYNC POST and Data Manager at Milk Visual Effects, both focused on maintaining render farms and job prioritization. Peter also has extensive experience from October 1998 to March 2018 as Studio Manager at Double Negative, overseeing data management processes, and from January 1990 to October 1998 at THE COMPUTER FILM COMPANY LIMITED, managing digital data across the facility. Peter holds a Bachelor of Arts in Drama and Theatre Arts from the University of Birmingham.
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BlueBolt
BlueBolt is an award-winning, independent visual effects studio based in London. Our talented team has been crafting exceptional images for film and episodic productions since 2009. We partner with our clients from the earliest stages of production, guiding the on-set supervision of projects through post to final delivery and pride ourselves on our straightforward, meticulous approach. BlueBolt is led by co-owners Tracy McCreary, Nic Birmingham and Henry Badgett. They are committed to prioritising the studio’s thriving, supportive culture and ensuring that it fosters talent and innovation, building on the legacy of Lucy Ainsworth-Taylor and Angela Barson who co-founded the studio with Chas Jarrett fifteen years ago. BlueBolt’s creative work began with Game Of Thrones season one (HBO), going on to span five seasons of Peaky Blinders (BBC/TigerAspect); the entire The Last Kingdom series and its feature-length finale Seven Kings Must Die (Carnival Films/Netflix); three seasons of The Great (Hulu); Robert Eggers’ The Northman; Taboo (Scott Free/BBC); The Peripheral (Amazon); Mission Impossible: Dead Reckoning Part One (Paramount); Fast X (Universal) and Ridley Scott’s Napoleon. https://youtube.com/@blueboltvfx