The Paris Review
Lori Dorr has a diverse work experience in various industries. Lori currently serves as the Executive Director at The Paris Review since July 2021. In this role, they are responsible for business development, brand strategy, marketing, operations, and managing the annual budget.
Prior to that, Lori worked at the Jewish Review of Books from December 2012 to November 2016. Lori initially held the position of Associate Publisher & Director of Marketing, where they were in charge of marketing, management, and growth of the publication. Lori later worked as a Consultant, assisting with the launch of a quarterly literary magazine and managing circulation reporting and marketing plans.
Between January 2004 and August 2008, Lori worked at The New Republic as the Circulation Director. Lori was responsible for managing the circulation of 60,000 subscribers and overseeing the revenue and expenses associated with subscriptions.
Additionally, Lori held positions at Bernstein Investment Research & Management and Sanford C. Bernstein. At Bernstein Investment Research & Management, they were the Business Manager for the website, where they oversaw the development, launch, and improvement of the website for the Private Client business. At Sanford C. Bernstein, they worked as a Business Analyst and Associate, conducting strategic planning, research, and analysis for the high-net-worth market.
Overall, Lori Dorr's experience spans executive leadership, publishing, marketing, circulation management, and strategic planning.
Lori Dorr began their education journey in 1992 at Stanford University, where they pursued a Bachelor of Arts (B.A.) degree in Communication. Lori dedicated four years to their studies, completing their undergraduate education in 1996.
Seeking further knowledge in the business field, Lori enrolled in the NYU Stern School of Business in 2001. Lori focused their studies on Finance and Marketing, obtaining their Master of Business Administration (MBA) degree in 2003.
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The Paris Review
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Founded in Paris by Harold L. Humes, Peter Matthiessen, and George Plimpton in 1953, The Paris Review began with a simple editorial mission: “Dear reader,” William Styron wrote in a letter in the inaugural issue, “The Paris Review hopes to emphasize creative work—fiction and poetry—not to the exclusion of criticism, but with the aim in mind ofmerely removing criticism from the dominating place it holds in most literary magazines and putting it pretty much where it belongs, i.e., somewhere near the back of the book. I think The Paris Review should welcome these people into its pages: the good writers and good poets, the non-drumbeaters and non-axe-grinders. So long as they're good.”